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PASSIVE SMOKING

Passive smoking is a cause of additional episodes and increased severity of symptoms in asthmatic children. Asthmatic children are up to 2.5 times more likely to have their condition worsened by passive smoking. In the United States alone it is estimated that 200 000 to one million asthmatic children have their condition worsened by passive smoking.

Exposure to environmental tobacco smoke (ETS or “passive smoking”) is a risk factor for new cases of asthma in children who have not previously displayed symptoms.

The risk of lower respiratory tract diseases (such as croup, bronchitis and pneumonia) is estimated to be about 50-60% higher in children exposed to ETS during the first 1-2 years of life, compared with unexposed children. About 10-15% of lower respiratory tract disease in young children under 18 months of age is attributable to passive smoking.

In children, exposure to environmental tobacco smoke is causally associated with increased prevalence of fluid in the middle ear, symptoms of upper respiratory tract irritation, and a small but significant reduction in lung function.

Environmental tobacco smoke is a cause of lung cancer in lifelong non-smokers exposed to ETS. Epidemiological studies carried out in several countries suggest that the lung cancer risk is about 20-30% higher than for never smokers not exposed to ETS.

The truth is that one out of every two long-term smokers will ultimately be killed by tobacco. In developed countries, half will be killed in old age, after age seventy, but the other half will be killed in middle age, before age seventy, and those who die from smoking before age seventy will lose more than 20 years of life expectancy.

The truth is that four million people die yearly from tobacco-related diseases, one death every eight seconds. If current trends continue, WHO estimates that the toll will rise to ten million by 2030, one death every three seconds. Tobacco is fast becoming a greater cause of death and disability than any single disease.

It doesn’t have to be that way. WHO has decided to focus attention and resources on tobacco use, to try to prevent at least some of these predicted deaths, and to prevent hundreds of millions to more in the decades to come after 2030.

How many deaths?

Tobacco is a silent killer. Peaks in tobacco mortality reflect peaks in tobacco consumption three to four decades earlier. Current smoking mortality is the result of past lifetimes of tobacco consumption.

From 1950 to 2000, tobacco will have killed more than 60 million people in developed countries alone, more than died in World War II.

If current trends continue, tobacco will kill more than 100 million people in the first two decades of the 21st century.

If current trends continue, 500 million people alive today will be killed by tobacco.

Of the 300 million Chinese men now aged 0-29, at least 100 million will eventually be killed by tobacco. Half the deaths will be among those aged 35-69.

In the Former Socialist Economies (FSE), around 14% of all deaths were traced to tobacco use in 1990. By 2020, this figure is slated to rise to 22%. And smoking is the major risk factor responsible for a predicted 56% increase in male deaths from chronic diseases in FSE countries from 1990 to 2020.

How much illness?

Tobacco is a known or probable cause of some 25 different diseases. For some, like lung cancer, bronchitis and emphysema, it is the major cause.

Other people’s tobacco smoke contains essentially all of the same carcinogens and toxic agents that are inhaled by the smoker. Other people’s tobacco smoke is harmful to non-smokers because it causes lung cancer and other diseases, and aggravates allergies and asthma.

Tobacco consumption has been explicitly linked to high incidence and gravity of cardiac disease.

Maternal smoking is associated with a higher risk of miscarriage, lower birthweight of babies and inhibited child development. Parental smoking is also a factor in sudden infant death syndrome and is associated with higher rates of respiratory illnesses, including bronchitis, colds and pneumonia in children.

How many smokers?

WHO estimated that there were 1.1 billion smokers in the world at the beginning of the 1990s, 300 million in developed countries and 800 million in developing countries. About one-third of the world’s adults were smokers at the beginning of this decade, and there is little sign that this proportion has changed substantially since.

At the beginning of the 1990s, 47% of men and 12% of women were smokers. In developing countries, it was estimated that 48% of men and 7% of women were smokers, while in developed countries, 42% of men and 24% of women were smokers.

Tobacco use among adolescents remains stubbornly persistent. Smoking prevalence among adolescents rose in the 1990s in several developed countries . While new markets are being opened by tobacco industry actions, old markets have not been closed – tobacco is a global threat.

Tobacco and smoke concern us all, smokers and non-smokers alike. Tobacco is everybody’s problem. It is a major public health issue that demands urgent action now.

Honest science or propaganda?

Bernie Greene wonders just how scientific is the science behind the smoking debate over on Samizdata.

I shall have to assemble a category on smoking – I like the last comment the best. He pretty much blows Bernie out of the water – and at least Bernie did ask for a more educated opinion.

As an epidemiologist, I hardly know where to begin with this post. I encourage the author to read an introductory book on epidemiology before dismissing the field; I suggest Epidemiology in Medicine by Charles Hennekens. If he did read it he might not be a skeptic about smoking and lung cancer. To wit- there are several criteria that denote causality. Among them are temporality (exposure preceded disease), dose-response (more exposure = more disease), strength of effect (bigger numbers means that biases are less likely to have produced them) and biological plausibility (lung exposed to floating carcinogens… hmmmmm). Smoking fulfills all of these criteria.

The author also appears not to know that causes come in different types. They may be necessary but not sufficient to cause disease. In this type of causation it is not surprising that only a fraction of exposed people develop disease.

To read the author you would think that all research on lung cancer stopped in the 50’s, when in fact plenty of research continues to this day that explains, among other things, genetic susceptibility to developing lung cancer among smokers. For instance, N-acetyltransferase is an enzyme that clears tobacco carcinogens from the body. People with the slow-acting form (slow acetylators) are at a higher risk for lung cancer than people with the fast-acting form (fast acetylators). So it’s not as if there is no curiosity on the part of scientists to find out what else, besides smoking, affects risk of lung cancer. There’s an enormous literature on the subject if anyone cares to look on Medline. Incidentally, I would like to imagine the author coming up with a concise way to tell the public that it’s alright to smoke if they have the correct genetic polymorphisms for thirty different susceptibility genes.

Lastly, the author criticised unnamed scientists for demanding something be done about tobacco. I truly doubt the author did anything like go back to the historical record to determine who advocated what law and when. Nevertheless, I’d agree that most of my fellow scientists instinctively fall back on statist solutions to modify disease risk. But let’s be clear- that does not invalidate the science. I’m sure the author can recognize an ad hominem argument when he sees one.

Finally, here is a brief list of eliminable exposures and the diseases they caused as described by the dread Epidemiology:

sleeping baby on the stomach – SIDS Hepatitis C – hepatocellular carcinoma diesterstilberol – vaginal cancer Rely tampons – toxic shock syndrome L-tryptophan – eosinophilia myalgia sydrome HIV – AIDS

On behalf of my field, I accept your thanks.

Logan Spector

Eminem is definitly not a racist!

For those who still believe Eminem might be a racist, I would like to quote him in his own words in an interview given to the Spin Magazine:

“Sometimes I feel like rap music is almost the key to stopping racism. If anything is at least going to lessen it, it’s gonna be rap. I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by. If we could truly be multicultural, racism could be so past the point of anybody giving a fuck; but I don’t think you or me are going to see it in our lifetimes.”

Are those the words of a racist man? Certainly not!

Being accused of racism, constantly stereotyped by closed minded people, the truth needs to be told about Eminem.

In fact, Eminem battles against racial discrimination in America. He clearly states it in his song “White America”: “I would have sold half if I was Black, I ain’t have to graduate from Lincoln high school to know that.”
Eminem is very conscious of racial discrimination against Blacks in America( lower salaries, longer jail sentences).

He is deeply convinced that rap music is a solution for racial issues.
He also stated the “N” word does not belong to his vocabulary.
I’d like to address to untalented gangsta wannabees like Benzino who only see the fact that he’s white and ask them if Eminem chose to be born white.
If we remember the contect in which Eminem grew up accross 8 Mile, we will understand that he was the one to experience racial discrimination from black people. Instead of retaliating against Blacks, he totally embraced their culture.
He has fully proven to be a non racist person.

What more do you want from him?
Continue reading “Eminem is definitly not a racist!”

The Daddy Shady Show

by Chuck Eddy, December the 25th 2002.

So when you’re born a pauper to a pawn on a Christmas Day, and then suddenly your daddy’s not a pawn and you’re not a pauper anymore, do you get more presents on your birthday, or less, or what? Hard to say, but Hailie Jade Mathers, who turns seven December 25, already has a whole Toys “R” Us worth of stuff, not to mention an indoor pool to swim in (at least that’s what her great-grandma, Betty Kresin of St. Joseph, Missouri, who hereby wishes Hailie happy birthday and Hailie’s dad Merry Christmas, says), so she’ll probably do OK. Word is that her daddy maybe spoils her a little, and why not?

“If Hailie wanted a hamburger at one o’clock in the morning, he’d go get it,” Great-Grandma Kresin says. “If Hailie wanted to go to a movie, Marshall (her dad, born in St. Joseph himself) goes with her; he doesn’t have a nanny do it. They just have to sneak in through the service door.” He even has her name and picture tattooed near his right shoulder.

“He lets her play with the neighbors, and has cookouts,” Kresin continues. “He loves children. I think if he had his way, he’d have a lot of children. He always wanted to have a family.” As a matter of fact, she says, Hailie’s dad has also been taking care of another little girl lately. “Marshall adopted one of Kim’s sister’s kids,” Kresin explains.

Kimberley Anne Scott is Hailie’s mom; her relationship with Marshall has been a little rocky, seeing as how he pulled an unloaded gun on her once when he caught her playing tonsil hockey with some doofus ex-nightclub bouncer. Plus he has this habit of enlisting Hailie to help him record hilarious and obnoxious and highly moving songs where he murders Kim and stuff, but the couple seem to be back together now. “I think it’s for Hailie,” says Kresin, who won’t absolutely confirm that the pair have reunited. Kim’s sister’s daughter is two years older than Hailie, Kresin explains. So is the adoption legally binding? “She’s got his last name,” Kresin answers. “What would you call it?”

Marshall and Kim and Hailie and Hailie’s cousin—plus Marshall’s aunt Betty and uncle Jack, who help out with child care—are all said to live together in a great big house in Clinton Township, Michigan, a lovely suburb situated around three branches of the Clinton River. Kid Rock and Uncle Kracker live in town, too, as do about 95,600 other people, according to the 2000 Census. (92.8 percent of them are white; 4.7 percent are black.) Marshall, who is just 30 years old (and contrary to his previous predictions isn’t yet in the nursing home pinchin’ nurses’ asses while jackin’ off with Jergens), reportedly paid more than a million and a half for the mansion.

It’s part of a gated yuppie community called Manchester Estates; the subdivision is located near Cass Avenue (named for onetime slave-owning Michigan governor Lewis Cass), more or less in between 18 and 19 Mile roads—i.e., about 10 miles north of where Marshall grew up. The title song from his new movie goes like this: “I’m free as a bird/And I turn and cross over the median curb/Hit the burbs and all you see is a blur.”

He moved from his last house because the city of Sterling Heights wouldn’t let him build a 12-foot fence to keep kids from littering his lawn with M&M wrappers. But Manchester Estates is working out better. Marshall’s neighbors like him a lot. “I personally have dealt with Marshall. I know Marshall. We live right next door, so we see him all the time,” says Cathy Roberts. “He is a wonderful performer, he is a wonderful father, he is an awesome neighbor—you can imagine—and he is a great person.”

“He’s normal, down-to-earth, and puts his pants on the same way everyone else does,” Roberts continues. “A very, very good father.”

“Couldn’t ask for a better neighbor, that’s all,” agrees Mary Russo, who has grandkids. “He’s been really good around here. Sorry, I know you guys don’t want to hear that.”

“He’s introduced himself to my husband and we see him around the neighborhood trick-or-treating. He always waves when he goes by. They’re real friendly,” says yet another neighbor. “He plays with his little girl. He never lets her out by herself. He scooters around the block with her on her bike. Now he’s teaching her to ride her bike without training wheels.”

At Halloween, according to the Detroit News, Marshall’s lawn was decorated with haystacks, yellow chrysanthemums, and three smiling scarecrows. Neighborhood kids come over and shoot hoops with him.

But at the center of his universe, there’s his little girl, who likes watching The Powerpuff Girls with her dad and jumping on the trampoline. She started making friends in town not too long ago, thus reportedly squelching any plans the family might have had to move to California. Pretty much every afternoon when Marshall’s not on tour, he heads over to the school where Hailie attends first grade, and brings her back home. (Word is that Marshall’s leasing a Benz, but foreign cars in Metro Detroit are ill-advised, of course. Around town, he opts for Fords.) Though Hailie’s dad could no doubt afford to send her to Cranbrook, he makes fun of the famous Bloomfield Hills private school toward the end of his movie; no hypocrite, he sends her to a public elementary—albeit one located at the end of a quiet, secure, secluded little street, where paparazzi or stalkers or anyone else out of the ordinary would stick out.

Though no one will divulge whether he cooks up brownies for the school’s bake sale, sources say that Marshall’s been known to show up for PTO meetings. The school’s Web site, in fact, boasts that 99 percent of parents attended fall conferences. “Parent involvement is directly associated with student success,” the Web page says; parents are asked to read with their children for 15 minutes every evening, and to “also please work on math facts.” (“Everywhere I go, a hat, a sweater hood, or mask,” Marshall rapped this year. “What about math, how come I wasn’t ever good at that?” But sometimes parents learn from their kids.)

“The Elementary Schools Student-Parent Handbook” for Chippewa Valley Schools prohibits weapons and unauthorized medication and “boom-boxes,” as well as tank tops, halters, and “pants not worn at the waistline.” “Verbal threats or assault may result in suspension and expulsion,” the handbook informs. “Any behavior or language, which in the judgment of the staff or administration, is considered to be obscene, disrespectful, profane and/or violates community held standards of good taste will be subject to disciplinary action.”

“With the right of expression comes the responsibility to use it appropriately,” the student-parent handbook concludes. Which might sound familiar to Hailie’s dad, given the words concluding this Hartford Courant review by Eric Danton: “He raps on The Eminem Show about freedom of speech as an inalienable right, but Eminem seems unwilling or unable to accept the accompanying responsibility.”

Eminem, of course, is Marshall’s alter ego. And sometimes Eminem goes by the name Slim Shady. And sometimes he plays a movie character who shares a name with the protagonist of John Updike novels about suburban midlife crises. In 8 Mile, when Rabbit’s buddies are doing their ceremonial Devil’s Night-style arson on the eyesore shell of an abandoned Motor City crack house, he salvages a torn, burnt snapshot of a happy (black) nuclear family, gets all choked up, and says, “When I was little, I used to want to live in a house like this.”

When Marshall Bruce Mathers III was tiny, his maternal grandma Betty remembers, “The little boy would give me letters, and say, ‘Could you give them to my daddy?’ ” He never met his dad, who left when he was six months old. And he hates him for it, says so in his songs, and imagines kids who listen to him feeling the same way: “He’s a problem child, and what bothers him all comes out/When he talks about his fuckin’ dad walkin’ out/’Cuz he just hates him so bad that it blocks him out/If he ever saw him again he’d probably knock him out.”

Marshall didn’t call his grandma on Thanksgiving, she says, but that’s OK; she heard he was in the studio till 4 a.m. Besides, she’s got 12 other grandchildren, and she didn’t hear from all of them, either. “He’s an excellent grandson. I’m very proud of him,” she says. “You get him offstage, and he’s so polite—he says, ‘Yes, Grandma, no, Grandma.’ And he never talks bad around his little child. He’s still kind of shy.” Betty’s doctor recently asked her for an Eminem T-shirt.

She’s met other fans, too. “I had a person who was abused growing up tell me not too long ago, ‘ “Cleanin Out My Closet,” he wrote that for me,’ ” Kresin says. “He’s not just making up words. I can relate to the songs, too. When my grandmother [who raised her] wasn’t switching me till I was black and blue, she used to put me in a spooky closet full of mothballs, and lock me in it.” She says she’s been looking for a ghostwriter to help her finish a book about all this.

Deborah Mathers-Briggs—Betty’s daughter and Marshall’s estranged mom—was due to be born on what would eventually be Hailie’s birthday, Kresin says. Instead, she wound up being born on January 6, just like Kresin’s grandmother. “Debbie was born on her birthday, and I feel she was under a curse. My grandmother is shoveling coal now; God doesn’t want her, and Satan won’t have her.”

In 1972, Debbie gave birth to Marshall. And Kresin wound up raising Marshall—who was born the same year as her son, his uncle Ronnie, who first introduced him to rap music—when Debbie couldn’t, or wouldn’t. “I had a baby and a grandson at the same time,” she recalls. “It was like having twins.” Sometimes when they were acting up in the backseat of the car, she’d scold them; Marshall would “start chanting, ‘If we don’t stop, we’re gonna have to walk! If we don’t stop, we’re gonna have to walk!’ “When Debbie would take him up to Michigan and leave Ronnie in Missouri, Kresin says, both boys would feel empty and beg to see each other at Christmastime.

Kresin says she thinks Debbie took her “hurt and bitterness” out on Marshall. “When you have verbal and mental instead of abuse that’s physical, you can’t really see it,” she says of the boy’s upbringing. “If it’s snowing in New York, and your mom tells you again and again that it’s 80 degrees out, you’ll believe it.” In the early ’90s, Ronnie committed suicide, and Kresin says Debbie blamed it on Marshall.

“She put my poor little grandson on such a guilt trip,” Kresin remembers. “She told him that Ronnie was trying to call and call when Marshall was out rapping. Which isn’t true, because I was with Ronnie the entire time! She said, ‘I have some bad news for you—Ronnie’s dead, and he wouldn’t be dead if it weren’t for you,’ ” Kresin says. Marshall wound up taking an overdose of Tylenol on the day of the funeral and couldn’t go. (Debbie—who Kresin says is “in hiding, up north”—could not be reached, and Eminem himself was unavailable for comment.)

Deborah Mathers-Briggs, for her part, has insisted she never abused drugs, that she actually spoiled Marshall and never raised her voice to him when he was growing up, and that she sacrificed to support him and his 16-year-old brother Nathan (who still lives with her). She told the BBC that her relationship with Marshall started imploding when she also took in his girlfriend Kim, who was 12 at the time; she said Marshall, who is two years older than Kim, didn’t move out until he was 25. A couple years ago, she even sued him for defamation and put out a CD single called “Set the Record Straight.” The case was settled before trial by Marshall paying $25,000.

“He was an excellent son,” counters Kresin. “He never said anything bad about Debbie, and it’s coming out now. It’s his way of healing.” (Possible examples: lyrics about how he doubted his mom’s breast-feeding abilities due to her lack of tits, how his mom took his bike away ’cause he stuck his guinea pig in the microwave, how his mom always taught him the important lesson of “goddammit, you little motherfucker, if you ain’t got nothin’ nice to say then don’t say nothin’,” how all bitches is ‘hos even his stinkin’-ass mom, and how he never meant to hit her over the head with that shovel.) “I love that boy,” Kresin says. “I’ll defend him till the day I die.”

And if his relationship with Kim is any indication, he seems to be reliving part of his grandma’s life. Starting at age 15, Kresin was married to, but repeatedly split up then reunited with, the same man. “He was the boss of me, and he was cruel to me,” she says. “And I’d never heard the word divorce.” Kim and Marshall were married in St. Joseph in June 1999; Eminem filed divorce paperwork in August 2000; they made up in December 2000; Kim filed for divorce in March 2001; and now they’re apparently back together. Last time around, they wound up agreeing on joint legal custody of Hailie after a months-long battle, and a Macomb County court recommended Eminem pay $2740 a week in child support, $156 a week in health insurance, and 90 percent of health care costs.

Eminem viewed by Erin Franzman

THE BEST WHITE RAPPER
Getting in Touch with Your Inner Slim Shady
by Erin Franzman

EMINEM IS THE BEST white rapper there is, because he doesn’t try to sound black. Lil’ Kim can rhyme “of course” with “Christian Lacroix” (“of cawz” and “la-crawz”) by dragging her vowels until they’re flat as pancakes–without sounding like a fool–but when the Beastie Boys roll out their suspiciously deep Noo Yawk accents (even though they’ve lived in SoCal for about 10 years), it can get a little embarrassing.

But Eminem rhymes like a white boy… who can rhyme. He’s the first one to do that. And the contrast between Dr. Dre’s full, round, lazy bass beats and Em’s buzzy, frenetic mosquito delivery makes radio hits like nobody’s business. The Marshall Mathers LP would be full of radio hits if only it wasn’t so motherfucking full of words you can’t say on the radio.

The songs about himself, like “The Way I Am,” “The Real Slim Shady,” “Remember Me?” “I’m Back,” and “Marshall Mathers,” are where he excels. It’s Eminem’s saving grace that he can’t see past the end of his own nose; he may not be worldly, but he’s utterly without pretense. He’s effortlessly controversial because his rhymes are pure, unadulterated id, and in our culture of over-explanation no one seems to notice that his songs are fantasies. “Kim,” a disturbingly specific song about killing a cheating girlfriend, is really sick, especially when you realize that Kim is a real person, the mother of Em’s child and now also his wife. One can imagine him playing the track for her and the two of them having a good laugh… a nervous laugh. As sick as his shit may be, it’s still, somehow, universal.

And when it gets too sick, remember: You can’t take him seriously, because he’ll say anything for a rhyme, including dissing the hand that feeds him: “And Dr. Dre said? Nothing, you idiots! Dr. Dre’s dead! He’s locked in my basement!”

Nor is Eminem one to smile and make nice, to put it mildly. He’s a brilliant satirist when he chooses deserving targets, especially the way he calls out his TRL peers: slutty Christina Aguilera, goody-goody Britney, the (admit it) homoerotic undertones of the Backstreet Boys and ‘N Sync.

We all think it; Eminem says it.

I particularly agree on several points:

-Eminem’s great ability to rhyme
-Eminem doesn’t try to sound black:he has always been conscious to be white in a black musical genre
-some rhymes are, of course, not to be taken seriously
-Eminem has the courage of his opinions and he expresses them loudly. If he is “mad enough to think it, then he’s mad enough to say it”(quoting the Real Slim Shady)

Controversial "White America" video

August 30, 2002– Hip-hop wordsmith Eminem recently released an animated video to his song “White America,” a clip that criticizes the United States, calling it the “Democracy of Hypocrisy” and “Divided State of Embarrassment.” The video is laced with vivid images of people urinating on the White House lawn, a Columbine-like school shooting, the Constitution being ripped in half, Eminem being hung in front of a lynch mob and other shocking images.

In the song, Eminem says, “Surely hip-hop is never a problem in Harlem/ Only in Boston, after it bothered ya fathers of daughters startin’ to blossom/ Now I’m catchin’ the flack from these activists.”

In an interview with CNN, critics of the rapper compared Eminem’s influence to that of Charles Manson, the mastermind behind a long string of murders in the ’60s. According to published reports, Manson simply had a mental influence over his followers, The Manson Family, who committed the murders on his behalf.

Darrell Scott, whose daughter was murdered in the Columbine shooting spree, likened the rapper to Manson, because of his effect on his millions of fans.

“Eminem represents an influence on the lives of young people. And we really need to take a long look at the influences that come across the media and entertainment,” Scott said to CNN.

In songs like “I’m Back,” Eminem has mocked the notion of having an unnaturally powerful influence over the minds of listeners.

“I take each individual degenerate’s head and reach into it, just to see if he’s influenced by me if he listens to music,” he said in the song, “And if he feeds into this shit he’s an innocent victim and becomes a puppet on the string of my tennis shoe.”

On his 2000 CD, The Marshall Mathers LP, Eminem expressed a reserved sympathy for the shooters in the Columbine tragedy since they were reportedly bullied and were exacting vengeance on random students in April of 1999. In several songs, like “Brain Damage,” he quips about being bullied in school.

After the premiere of “White America,” Scott said that the public should cease to purchase Eminem’s records, all of which have sold millions of units.

“I encourage young people that are listening to please not spend your money and be entertained at the expense of my daughter’s death and the 12 other precious people who were killed at Columbine,” Scott continued.

In a prepared statement, Interscope Records defended the rapper, saying, “Eminem is an artist. He creates art. He does not do it so that the media can use it and solicit angry responses from the public. He does it for fans.”

The video for “White America” was produced by award-winning producers Guerrilla News Network and has been deemed too controversial for television.

Of the video, GNN said in a statement, “In order to fuse GNN’s underground political culture with Eminem’s profane anti-American rant, we pitched a concept that would ‘place the viewer in the body of Eminem as he moves through the media-drenched environment that is the subject for his critique of American society.’ In this way, we were actively seeking to divert the emphasis from the cult celebrity of Eminem and have the video be a platform for a broader and hyper-visual critique of America itself.”

Of course Columbine drama is a touchy subject. Eminem’s video “White America” caused a lot of controversy. The parents from Columbine High School were upset when the new video was released.Darrell Scott thinks Eminem makes jokes about his young daughter’s death.

Eminem expressed his sympathy for the killers and also explained his point of view: “Columbine is so touchy. As much sympathy as we give the Columbine shootings, nobody ever looked at it from the point of view of the kids who were bulllied- I mean , they took their own life! and it was because they were pushed so far to the edge that they were so mad. I’ve been that mad!”

Eminem has been bullied at school and he can relate to what is going on in the mind of a kid who gets bullied. People should think before judging so fast, they should try to analyze each side’s point of view.

It’s so frustrating, humiliating for a kid to be beaten up every day at school.

Interscope defended the right to artistic expression for Eminem.

The political statements made in White America are to be taken seriously. Eminem envisions America’s violent society and troubled youth. We should not be too sensitive to the harsh reality that is shown in “White America”.
Because of his own harsh childhood, Eminem stands next to the youth, he helps us to understand young people better.

Eminem’s art is not supposed to be politically correct. He is not supposed to please the vast masses of listeners, but to expose the truth, even if his vision is scary and shocking some sensitive people.
Eminem has the courage of his political opinion, which encourages us to show our criticism and not to accept empty political speeches wherever they might come from.Marshall Mathers has shown his critism towards the American government. But some people seem to forget that he loves America…it is funny to notice that the last sentence of his song “I’m just playing America, you know I love you.” is always forgotten intentionally by people who think he is totally anti American.

New virus threat

SAN FRANCISCO (Reuters) – A new e-mail virus started spreading to corporate computers on Friday and is headed for home computers, but computer security experts said they expect the outbreak to wind down over the weekend.

Anti-virus software maker Trend Micro said tens of thousands of its corporate computer users in France and Germany had been hit by the virus, dubbed “Mimail.C.”

The e-mail was spreading quickly because it spoofs e-mail addresses in a computer address book, making it appear as if the virus-carrying e-mail comes from a friend or co-worker, said Raimund Genes, European president of Trend Micro.

Trend and Network Associates Inc. rated the virus a “medium” threat, upgrading it from a low-level threat because of the large number of infections being reported within a short time, according to Vincent Gullotto, vice president of Network Associates’ anti-virus response team.

The virus arrives in a zip, or compressed file, in an e-mail with a subject line of “our private photos.” The text in the body of the message says: “All our photos which i’ve made at the beach….” and is signed “Kiss, James.”

When the recipient opens the zip file and then the executable file inside that, the virus harvests e-mail addresses from the computer to spread itself further, Gullotto said.

It also sends an unknown type of data to a remote server in what appears to be an attempt to cripple the server in a “denial of service” attack, he said. In such an attack, a remote attacker instructs compromised computers to overload a Web site and take it down temporarily.

The attack appeared to have been targeting four Web sites with the name “darkprofits,” according to Network Associates.

Obie Trice, a talented rapper signed to Shady Records

Obie Trice : a talented rapper signed to Shady Records

Obie Trice is one of the coolest guys I have ever met . We met on June the 19th at Paris Bercy (Anger Management Tour 2003) (at the busses area). He’s got a great sense of humor and this encounter will always remain a great memory.

Obie Trice was born on November the 14th 1978.
He attented High School at Cooley High in Detroit, Michigan.
Obie was one of the best pupils at High school and he wanted to go on studying, but he changed his mind when his daughter Kobie was born on October the 5th 1998.

Obie started rapping since he was 11.
He’s been influenced by artists such as Rakim and Redman.
Thanks to underground tracks like « The Well Known Asshole » he has gained some recognition and respect. He has made a guest appearance on the D12 album « Devil’s Night ».

Obie’s first album « Cheers » has been released on September the 23 rd 2003 and includes the collaboration of many talented rappers (Dr Dre, D12, Eminem, Busta Rhymes, 50 Cent, Lloyd Banks from G Unit, Nate Dogg…)
An album that is definitly worth listening.

Sky faces sexual assault claim

Lawyers acting for six men are trying to stop Sky broadcasting a reality show in which they are seen unwittingly kissing and caressing a male transsexual. They are planning a litany of legal charges against the broadcaster, including conspiracy to commit sexual assualt.

The six contestants’ case against Sky and Brighter Pictures, which is a subsidiary of Big Brother producer Endemol, is expected to include the claim that the companies conspired to commit a sexual assault on the grounds the men did not consent to being fondled by a man.

I guess I can see their point.


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