An original interpretation of « 97 Bonnie And Clyde »
In 2001, a female artist, Tori Amos decides to work on Eminems well known track « 97 Bonnie And Clyde ». Kim has been inspirational to her. Not Kim Mathers, but the victim of the fictional murder by Slim Shady
I have listened to her track. Tori Amos hasnt changed any word from Eminems lyrics. She has sung the song with a female voice, leaving a scary atmosphere behind her. Interpreted this way, the song becomes very emotional from the victims side:
“When you talk about killing your wife, you don’t get to control whom she becomes friends with after she’s dead.” Tori Amos
It is fascinating how Tori Amos makes a fictional story look real. Maybe because she obviously ignores the reality of the context of the song:
– a father (Eminem) was obviously being manipulated by his babys mom (Kim) who wouldnt let him see his daughter, as Mike Mazur, Eminems former boss confirms it:
« He would come in to work and worry and say, ‘The bitch took my daughter and won’t let me see her. I don’t know what I’m going to do. I don’t know what I’m going to do. »
Before despising Eminem, whose song is nothing else but artistic expression, the public should be aware of Kims manipulative side towards Marshall:
« Whenever we fight she takes Hailie away and uses her as a weapon against me. » (Eminem)
To record « 97 Bonnie And Clyde », Marshall had to lie to Kim:
” I lied to Kim and told her I was taking her to Chuck E. Cheese that day. But I took her to the studio. When she found out I used our daughter to write a song about killer her, she fucking blew. We had just got back together for a couple of weeks. Then I played her the song, and she bugged the fuck out.”P
People shouldnt ignore Marshalls reconciliation attempt. The existence of « 97 Bonnie And Clyde » expresses Eminems pain about Kims behavior. The main reason why this song was created was his reconciliation attempt. It worked: in a couple of weeks Marshall and Kim were back together.
Tori Amos work is a beautiful peace of work. I am not convinced she understood Eminems motivations, when you look at the way she describes the original song:
« I’ve always found it fascinating how men say things and how women hear them. Words can wound and words can heal, and both are included on the album. When she first heard “97′ Bonnie & Clyde, the scariest thing was … the realization that people are getting into the music and grooving along to a song about a man who is butchering his wife.” (Tori Amos)
Tori Amos also missed that important point: usually people who are getting into Eminems music have a sense of humor. They are perfectly conscious of the fictional character of a song like « 97 Bonnie And Clyde ». Knowing the context of the song, you could barely take Slim Shady seriously when he « murders » Kim, who -by the way- is still alive since her double fictional « murder ».